#3301 23.09.2022 14:34

Katkennut petsari
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From: Killerjärvi
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Re: Sekalaista elokuvista (SPÅM!)

Sehän olis uusi Ruben Östlundin filmi peräti täällä maakunnassa nyt näytillä.


- Ett sjömanshem låter också som rätt plats för en full finsk sjöman.
---
- Han pundar och dampar loss i Vänersborg i vanlig ordning och hamnar i trubbel med polisen emellanåt.

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#3302 07.10.2022 17:43

Laatu
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Re: Sekalaista elokuvista (SPÅM!)

Laitetaas New Yorkerin Richard Brodyn arvostelu Triangle of Sadnessista tänne. SISÄLTÄÄ SPOILEREITA

With his sourly playful satire “Triangle of Sadness,” the Swedish director Ruben Östlund shoots fish in a barrel and displays them with an adventurer’s pride. He takes on the easy targets of the obliviously rich and their glamorous entourages and delivers a handful of café-table insights and would-be outrages that seem calculated to the millimetre. It’s a movie of targeted demagogy that pitches its facile political stances to the preconceptions of the art-house audience; far from deepening those ideas or challenging those assumptions, it flatters the like-minded viewership while swaggering with the filmmaker’s presumption of freethinking, subversive audacity. Of course, “Triangle of Sadness” (which opens Friday in theatres) won the Palme d’Or, the highest prize, at this year’s Cannes Film Festival.

The protagonists are two models, Carl (Harris Dickinson) and Yaya (Charlbi Dean). Their relationship is dominated by fights over money, reflecting their profession’s casual precarity. Carl is introduced at an audition where a dozen or more male models wait around, shirtless, while being prepped by a wrangler who has them pose and emote on command; the models alternate between the cheerful expressions that sell mass-market clothing and the dour ones of high-end designer fashion. Carl’s audition is a torment of superficiality and scrutiny. (The title of the film refers to the lines between his eyebrows, and his prospective employers are heard whispering of Botox.) At a fashion show where he’s a spectator, his disposable spot in the scene’s pecking order is emphasized in a runway-show kerfuffle over seating. It’s in such moments that Östlund’s surest manner is revealed: at his best, he’s a filmmaker of fine points—delicate indicia of poignant humiliations exposing characters to cruel truths about themselves—which he realizes in scenes and images of a clean precision. (The scene that revolves around seating, featuring a long, slow tracking shot, could have been part of a silent film.)

But Östlund’s strongest suit and his strongest inclination are in conflict with each other; his keen observations are submerged in his efforts at social criticism and political philosophy. When Yaya and Carl fight over picking up the check at a fancy restaurant, the extended proceedings discharge their meaning in a pair of quickly delivered lines: Carl says that she makes much more money than he does; Yaya responds that her career is likely shorter, especially if she gets pregnant. The film is sardonic about modelling, but there’s nothing satirical in its view of the business or of the couple’s self-aware place in it. The movie attempts to expands its range with Yaya’s side job as a social-media influencer, which gets the pair a cabin on a yacht cruise for a self-selecting handful of the blithely wealthy, but this plot turn, which takes over the film, prompts Östlund to transform his cast of characters into a sociological cross-section of secondhand types.

The emblem of the cruise is the team of assault-weapon-toting guards who are conspicuously posted on the deck. The belowdecks crews of manual laborers are almost all nonwhite—the cleaning crew comprises mainly Southeast Asian women, and the engine-room workers mostly Black and brown men. As the cruise gets under way, the service staff, a dozen or so young white people in crisp, white-shirted uniforms, meets under the command of the cheerily martial Paula (Vicki Berlin), who exhorts them to say “Yes, sir,” and “Yes, Ma’am,” with hearty enthusiasm, and to never say no to anything—even if a guest is requesting an illicit substance or a “unicorn.” (Unfortunately, this elaborate scene adds little to a similar one, of staffers at a summer hotel-resort, in Busby Berkeley’s “Gold Diggers of 1935”—complete with its race-based distinctions.)

Not only does “Triangle of Sadness” mock Yaya’s work as an influencer; it sets up Carl and Yaya as frivolous wannabes, even riper for a takedown than the rich with whom they hobnob, because they enjoy the same privileges without selling their souls but merely their images. The hollow simulacra of humans surrounding them on this ship of fools include Dimitry (Zlatko Burić), a Russian oligarch who boasts of selling “shit,” i.e., fertilizer; plus a British arms merchant named Winston (Oliver Ford Davies) and his wife, Clementine (Amanda Walker), who lament the international ban on land mines and its effect on their fortune. There’s also a friendless software creator (Henrik Dorsin) and a haughty woman (Mia Benson) who insists that the ship’s sails need washing. (The ship has no sails.) In a characterization that reveals Östlund’s crass sense of humor, there’s a running joke about a woman named Therese (Iris Berben), who is disabled by a stroke and aphasic, able only to call her husband by name and speak the phrase “in den Wolken” (“in the clouds”).

The protagonist of the voyage is the yacht’s captain (Woody Harrelson), an alcoholic who stays locked in his cabin, drunk, blaring a recording of the “Internationale” while reading leftist texts (he declares that he’s not a Communist but a Marxist) and ignoring the entreaties of his crew. The result of his neglect is the scheduling of a formal dinner for all guests on the night of a storm; the ship rocks wildly in the waves, leading to a tragicomic epidemic of seasickness, complete with projectile vomiting and a literal shitstorm erupting from the vessel’s toilets. Spoiler alert: it sounds like more fun than it looks. Östlund may not hesitate to make his characters miserable, but he spares the audience (or, rather, keeps an eye on the box-office), making sure that the excremental scenes stay well short of revulsion; their grossness remains theoretical.

A handful of small-scale scenes deliver quiet but sharp jabs to viewers’ ribs regarding the cavalier display of casual power. Carl, jealous of Yaya’s wink at a shirtless and handsome deckhand (Timoleon Gketsos), salves his pique by lodging a petty complaint to Paula, only to witness the punitive results. Dimitry’s wife, Vera (Sunnyi Melles), making a spectacle of her egalitarian sympathies, tries to reverse roles by ordering a crew member (Alicia Eriksson) to abandon her duties. (The logical conundrum is quick and cutting.) But Östlund’s grandiose sensibility unfortunately dominates the film, both in its political bombast (as in a scene of the captain and Dimitry drinking wildly while trading leaden political witticisms; Dimitry’s rely on the collected works of Ronald Reagan and Margaret Thatcher) and in the major pivot that occurs midway through. I won’t spoil this much, except to say that a motley batch of passengers and crew members end up stranded on a deserted island, forced into raw survivalism in a state just above that of nature, where money is useless and power relationships are drastically altered in ways that are utterly unsurprising and commonplace, even if they do lead to a clever trick ending.

Only the fine cast lends life to the movie’s superficial caricatures, even if the hectic, blatant script edges the performances toward the clattery side and Östlund’s precise but stiff direction leaves little room for inventiveness. In particular, Berlin’s rendition of authoritarian cheer and Dolly de Leon’s steadfast assertiveness as a long-suffering staffer leave high-relief impressions. As Clementine, the munitions-maker’s spouse, Walker delivers the best line in the film, with the perfect blithering lilt. Above all, the movie’s cast is shadowed by Charlbi Dean’s death, in August, from a lung infection, at the age of thirty-two. Although “Triangle of Sadness” sticks closer to Carl, the mercurial, elusive Yaya is the dramatic engine of the film, which would be nearly inert without Dean’s labile, coolly impulsive performance. If nothing else, the movie would have assured her stardom; there’s no telling how many characters and films her death foreclosed before their conception. ♦


You know, if it was a regular salad I wouldn't have said anything. But you had to have the BIG SALAD.

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#3303 11.10.2022 16:16

psychocandy
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From: outhouse of the pryeeeeeee
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Re: Sekalaista elokuvista (SPÅM!)

OMG sain muuten tyttäreltäni synttärilahjaksi Mollbergin version DVD:nä cheer21


Karhut feissiin kuule tää on se reitti hä ...ja kerran eräs naarassusi melkein mun kengille kusi tongue
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#3304 27.10.2022 15:30

jookcha
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From: blaze mountain
Registered: 21.10.2005
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Re: Sekalaista elokuvista (SPÅM!)

29.10. teemalla&areenassa Pasolinin Accattone.

Pummi
Pier Paolo Pasolinin esikoiselokuva Rooman slummien katunuorista. Perheellinen, moraaliltaan enemmän kuin horjuva vetelehtijä "Pummi" toimii parittajana ja rakastuu hyveelliseen naiseen. (Accattone, Italia 1961)


Ti ho detto come una volta un po' di vino, dischi in vinile, sequel, ragazze, ragazze, Kauko Röyhkä?

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#3305 27.10.2022 20:25

ydis
vegan princess
Registered: 07.03.2006
Posts: 22,060

Re: Sekalaista elokuvista (SPÅM!)

1. The Hot Chick (2002)
2. Aika tappaa (2005 Video)
3. Crash (I) (2004)
4. Terminator: Dark Fate (2019)
5. Deck the Halls (2006)
6. Disaster Movie (2008)
7. A Good Day to Die Hard (2013)
8. Uncharted (2022)
9. Victor Crowley (2017)
10. Gotti (2018)
11. Grown Ups 2 (2013)
12. Bad Moms (2016)
13. Iron Sky (2012)
14. Lady in the Water (2006)
15. Black Dawn (2005 Video)

15 huonointa leffaa listani, kopsattu imdb:stä. Montako olet nähnyt. En suosittele mitään näistä ff

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#3306 27.10.2022 20:34

Hassuttelija
jäbä joka diggaa Sufjanin uusinta ihan homona
Registered: 29.01.2010
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Re: Sekalaista elokuvista (SPÅM!)

Dark Fate ja A Good Day to Die Hard nähty. Dark Fate vihaa en kässää. Aivan hyvä kolmen tähden lefukainen ja selkeästi sarjan kolmanneksi paras leffa.


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In the last second of life, they're gonna show you how,
how they run this show.

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#3307 27.10.2022 21:10

jookcha
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Re: Sekalaista elokuvista (SPÅM!)

Crash ja Iron Sky nähtynä ainoastaan. Crash kunnon juustoinen Hollywood-jeesustelupökäle. Iron Sky aivan hirveää katsottavaa myös.


Ti ho detto come una volta un po' di vino, dischi in vinile, sequel, ragazze, ragazze, Kauko Röyhkä?

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#3308 27.10.2022 21:40

jookcha
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Re: Sekalaista elokuvista (SPÅM!)

Letterboxdista oma top15 huonoimmat arvosanat:

- Giallo
- Luokkakokous 2
- Young Love
- Kalevala
- Rocky V
- Nanny Diaries
- Iron Sky
- Twixt
- Luokkakokous
- Levottomat 3
- Risto Vanarin piilokamera
- The Lobster
- The Ballad of Buster Scruggs
- The Two Popes
- National Lampoon’s Christmas Vacation


Ti ho detto come una volta un po' di vino, dischi in vinile, sequel, ragazze, ragazze, Kauko Röyhkä?

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#3309 27.10.2022 22:21

ydis
vegan princess
Registered: 07.03.2006
Posts: 22,060

Re: Sekalaista elokuvista (SPÅM!)

jookcha wrote:

Letterboxdista oma top15 huonoimmat arvosanat:
- National Lampoon’s Christmas Vacation

spede

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#3310 27.10.2022 22:25

ydis
vegan princess
Registered: 07.03.2006
Posts: 22,060

Re: Sekalaista elokuvista (SPÅM!)

jookcha wrote:

- Rocky V
- Iron Sky
- The Lobster
- The Ballad of Buster Scruggs

+ noi nähty upean christmas vacationin lisäksi. Rocky 5 huonoin rocky. Lobster ja buster iha jees ff

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#3311 29.10.2022 13:53

muumipoimuri
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Registered: 01.12.2020
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Re: Sekalaista elokuvista (SPÅM!)


NE71A6c.jpg

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#3312 31.10.2022 10:08

muumipoimuri
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Registered: 01.12.2020
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Re: Sekalaista elokuvista (SPÅM!)

Aamuteeveessä sanottiin että suomalainen kauhu breikkaa nyt ulkomailla.


NE71A6c.jpg

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#3313 15.11.2022 20:16

muumipoimuri
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Registered: 01.12.2020
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Re: Sekalaista elokuvista (SPÅM!)

Tänää vois kattoo Komisario Palmu elokuvan, joita en ole koskaan nähny yhtään. Liekö yhtä hyviä ku Uunot.


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#3314 26.11.2022 20:20

muumipoimuri
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Re: Sekalaista elokuvista (SPÅM!)

Mitähän 50-60 luvun klassikoita sitä pitäis kattoa? Olisko se sitte jotain Godardia? Ei länkkäreitä. Eikä rakkaustarinoita.


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#3315 27.11.2022 13:48

jookcha
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Re: Sekalaista elokuvista (SPÅM!)

muumipoimuri wrote:

Mitähän 50-60 luvun klassikoita sitä pitäis kattoa? Olisko se sitte jotain Godardia? Ei länkkäreitä. Eikä rakkaustarinoita.

La dolce vita, Persona, Vertigo, Sunset Boulevard, Belle de jour, Tokyo story

Last edited by jookcha (27.11.2022 13:49)


Ti ho detto come una volta un po' di vino, dischi in vinile, sequel, ragazze, ragazze, Kauko Röyhkä?

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#3316 27.11.2022 15:53

Hassuttelija
jäbä joka diggaa Sufjanin uusinta ihan homona
Registered: 29.01.2010
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Re: Sekalaista elokuvista (SPÅM!)

Le Samouraï
The Apartment
400 kepposta

Viimeisin löytyypi HBO Maxilta.


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In the last second of life, they're gonna show you how,
how they run this show.

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#3317 27.11.2022 20:10

muumipoimuri
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Re: Sekalaista elokuvista (SPÅM!)

jookcha wrote:
muumipoimuri wrote:

Mitähän 50-60 luvun klassikoita sitä pitäis kattoa? Olisko se sitte jotain Godardia? Ei länkkäreitä. Eikä rakkaustarinoita.

Persona

Unohdin mainita että ei Bärimannia.


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#3318 02.12.2022 11:44

jookcha
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From: blaze mountain
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Re: Sekalaista elokuvista (SPÅM!)

The Greatest Films of All Time
Sight & Sound lähtenyt hassuttelulinjoille. Get Out ja Parasite 100 parhaan leffan joukossa? reps  Jeanne Dielman toki hyvä leffa mutta onhan toi vähän erikoinen veto nostaa se ykköseksi.

Feministinen kuvaus perheenäidistä valittiin maailman parhaaksi elokuvaksi


Kaikkien aikojen parhaat elokuvat, top 10
1. Jeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles (Chantal Akerman, 1975)

2. Vertigo (Alfred Hitchcock, 1958)

3. Citizen Kane (Orson Welles, 1941)

4. Tokyo Story (Yasujiro Ozu, 1953)

5. In the Mood for Love (Wong Kar-wai, 2001)

6. 2001: Avaruusseikkailu (Stanley Kubrick, 1968)

7. Beau Travail (Claire Denis, 1998)

8. Mulholland Drive (David Lynch, 2001)

9. Mies ja elokuvakamera (Dziga Vertov, 1929)

10. Laulavat sadepisarat (Stanley Donen ja Gene Kelly, 1951)

Last edited by jookcha (02.12.2022 15:42)


Ti ho detto come una volta un po' di vino, dischi in vinile, sequel, ragazze, ragazze, Kauko Röyhkä?

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#3319 18.12.2022 17:53

Laatu
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From: Helsinki
Registered: 18.07.2005
Posts: 11,878
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Re: Sekalaista elokuvista (SPÅM!)

Astonishing! Enthralling! Exciting! Immersive! None of these words could sensibly be applied to the three-and-a-quarter-hour Wet Smurfahontas stodgeathon that is Avatar: The Way of Water.


You know, if it was a regular salad I wouldn't have said anything. But you had to have the BIG SALAD.

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#3320 21.12.2022 15:13

psykokarkki
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Re: Sekalaista elokuvista (SPÅM!)


Mitään UG:tä ei ole olemassag71u3wL.gifMitään UG:tä ei ole olemassag71u3wL.gifMitään UG:tä ei ole olemassag71u3wL.gifMitään UG:tä ei ole olemassag71u3wL.gifMitään UG:tä ei ole olemassag71u3wL.gifMitään UG:tä ei ole olemassag71u3wL.gifPUFF PUFF BONG BONG

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#3321 05.01.2023 20:51

Laatu
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From: Helsinki
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Posts: 11,878
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Re: Sekalaista elokuvista (SPÅM!)

Richard Brody kirjoittaa yllättävän myönteisesti Jordan Peelen Nopesta. Hyviä pointteja. Nämä New Yorkerin jutut kannattaa lukea selaimen incognito-tilassa, niin voi lukea enemmän kuin pari kuukaudessa.

https://www.newyorker.com/culture/the-f … 04IIzbjNPs


You know, if it was a regular salad I wouldn't have said anything. But you had to have the BIG SALAD.

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#3322 01.02.2023 12:11

jookcha
vieressä retkottava nainen
From: blaze mountain
Registered: 21.10.2005
Posts: 19,001

Re: Sekalaista elokuvista (SPÅM!)

peuk


Ti ho detto come una volta un po' di vino, dischi in vinile, sequel, ragazze, ragazze, Kauko Röyhkä?

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#3323 02.02.2023 14:10

jookcha
vieressä retkottava nainen
From: blaze mountain
Registered: 21.10.2005
Posts: 19,001

Re: Sekalaista elokuvista (SPÅM!)

jookcha wrote:

peuk

Mainio kohtaus tässä, missä tyyppi kävelee Hakaniemestä Sörnäisiin metrotunnelia pitkin peuk


Ti ho detto come una volta un po' di vino, dischi in vinile, sequel, ragazze, ragazze, Kauko Röyhkä?

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#3324 04.02.2023 21:13

Hassuttelija
jäbä joka diggaa Sufjanin uusinta ihan homona
Registered: 29.01.2010
Posts: 26,208

Re: Sekalaista elokuvista (SPÅM!)

Hellraiser-leffoja on 11 kpl.  icon_eek Oiskohan liian sakiaa kahtua noi kaikki.


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In the last second of life, they're gonna show you how,
how they run this show.

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#3325 04.02.2023 21:14

jookcha
vieressä retkottava nainen
From: blaze mountain
Registered: 21.10.2005
Posts: 19,001

Re: Sekalaista elokuvista (SPÅM!)

Hassuttelija wrote:

Hellraiser-leffoja on 11 kpl.  icon_eek Oiskohan liian sakiaa kahtua noi kaikki.

Ois sakiaa mutta anna palaa.


Ti ho detto come una volta un po' di vino, dischi in vinile, sequel, ragazze, ragazze, Kauko Röyhkä?

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#3326 05.03.2023 11:10

muumipoimuri
Member
Registered: 01.12.2020
Posts: 12,191

Re: Sekalaista elokuvista (SPÅM!)

Meinasitteko kattoo?


NE71A6c.jpg

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#3327 05.03.2023 19:26

leposi
Viini-illan Göbbels
Registered: 14.06.2005
Posts: 34,527

Re: Sekalaista elokuvista (SPÅM!)

Ehkä tota vois harkita vuonna 2040.

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#3328 05.03.2023 20:36

muumipoimuri
Member
Registered: 01.12.2020
Posts: 12,191

Re: Sekalaista elokuvista (SPÅM!)

muumipoimuri wrote:

Meinasitteko kattoo?

En löytänyt tästä mitään googlettamalla.


NE71A6c.jpg

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#3329 10.03.2023 14:27

Laatu
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From: Helsinki
Registered: 18.07.2005
Posts: 11,878
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Re: Sekalaista elokuvista (SPÅM!)

Laatu wrote:

Richard Brody kirjoittaa yllättävän myönteisesti Jordan Peelen Nopesta. Hyviä pointteja. Nämä New Yorkerin jutut kannattaa lukea selaimen incognito-tilassa, niin voi lukea enemmän kuin pari kuukaudessa.

https://www.newyorker.com/culture/the-f … 04IIzbjNPs

No nyt se Brodyn Richard antoi oman varjo-oscarinsa Nopelle parhaasta käsikirjoituksesta. En vieläkään ole ihan varma tästä mutta pitäisiköhän kattoo uusiksi.


You know, if it was a regular salad I wouldn't have said anything. But you had to have the BIG SALAD.

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#3330 14.03.2023 21:30

muumipoimuri
Member
Registered: 01.12.2020
Posts: 12,191

Re: Sekalaista elokuvista (SPÅM!)

The Whale kiinnostaa. Blast from the past Frasierin paras leffa.


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