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#61 02.09.2025 21:15
- psykokarkki
- uses and endorses MUOVIKASSI and COMMUNISM ☭
- From: #Mitään UG:tä ei ole olemassa freak "skene"
- Registered: 14.11.2006
- Posts: 104,123
- Website
Re: Squarepusher
Originally self-released under the artist name 'Stereotype' in 1994, an hour of raw, dancefloor-focused early Squarepusher productions, fuelled by pirate radio and rave, remastered from the original tapes. A companion of sorts to the debut album under the Squarepusher name, Feed Me Weird Things, which was recorded around the same time before emerging on Rephlex Records in 1996.
lokakuussa ilmestyy.
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#62 26.11.2025 13:19
- psykokarkki
- uses and endorses MUOVIKASSI and COMMUNISM ☭
- From: #Mitään UG:tä ei ole olemassa freak "skene"
- Registered: 14.11.2006
- Posts: 104,123
- Website
Re: Squarepusher
Onkohan tää Go Plastic peräti Squarepusherin paras albumi? Vähän kuin jos Autechre tekisi tarttuvampia biisejä
tässä muuten hauska juttu, jokunen aika sitten kävelin tokoin rannassa ja soitin arpoi biisin my fucking sound ja en sitä muistanut, mutta aluksi olin varma että on autechrea, loppupuolella mietin että oisko sittenkin venetian snares. ei ehkä levyn tarttuvinta matskua mutta hyvä biisi joka tapauksessa 
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#63 Today 18:12
- psykokarkki
- uses and endorses MUOVIKASSI and COMMUNISM ☭
- From: #Mitään UG:tä ei ole olemassa freak "skene"
- Registered: 14.11.2006
- Posts: 104,123
- Website
Re: Squarepusher
Squarepusher, presents Kammerkonzert, a riot of onyx-hard, hyperfast riffs, fiendish orchestral themes and handbrake turns through varieties of progressive, ambient, electronic and experimental music.A singular hardcore rave/electronic producer, experimental musician and creator of futuristic forms of fusion, Tom Jenkinson has a three-decade-long back catalogue studded with jewel-like records. From the furious breakbeat acid and pulverising live bass-guitar attack of Feed Me Weird Things (1996) to the self-explanatory Music for Robots (2014) via the virtuosic live showcase of Solo Electric Bass 1 (2009) and the luxurious and otherworldly concrète jazz of Ultravisitor (2004), few contemporary musicians have covered as much ground in as sure-footed a manner. Given that his dazzling new album for Warp is essentially a chamber concerto with Jenkinson playing all of the parts, it’s safe to say he has come a long way since Port Rhombus EP, his crystalline drum & bass debut for the label in 1996.
Kammerkonzert displays Jenkinson’s strength not only as a producer but as a composer, shown by the album’s mercurial juxtapositions which can fleetingly remind the listener of the visionary French Zeuhl band Magma 9 (‘K1 Advance’), the liquid fusion of Weather Report in their Body Electric phase (‘K2 Central’), and the baroque blood-drenched giallo soundtracks of Ennio Morricone (‘K7 Museum’). Elsewhere the more contemporary north London jazz riffing of Sons of Kemet (‘K3 Diligence’), the ring-modulated piano of Stockhausen’s Mantra and even the atmosphere of Brian Eno’s ambient work with David Bowie (‘K11 Tideway’) all make themselves felt.
Kammerkonzert – whose tough-sounding name reflects the sonic militancy of the music it presents, while literally meaning chamber concert in German – pushes mischievously inward at the extreme boundaries of music composition itself.
levy ilmestyy huhtikuussa.
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